яîvî†нэΔd DARK MODERN MUSIC PRODUCTION
яîvî†нэΔd comes from the Tampa Florida area. Starting off in music in 1990 playing punk guitar and bass and totally embraced in old school hardcore punk and hardcore music of the times. Eventually veering into Gothic, Post Punk, Industrial and other forms of Dark Electronic and Guitar oriented Dark Music genres.
A longtime figure in the underground music scene as an average musician a wellknown dj and former music journalist for Gothic Beauty, New Grave, Legends and Rivotrag Magazines.
Opened for Voltaire, The Cruxshadows, Enemy Of God, Fixmer McCarthy (NItzer Ebb), Seraphim Shock and others in the early days of live shows with Martyr Complex, Doomsday Kult, Complex Machine and Ubermech
Currently involved in many music projects [links to the right] all studio and collaboration projects. At the age of 58 years I consider myself unmarketable in terms of image lol and would not consider going live unless it's my Industrial Or Minimal Wave projects.
Compositions mainly done with motu & reason with hardware, roland, korg, akai, fender, bc rich, shure. Also a gazzillion vst plugins, soft synths and loop libraries incororated with the new use of AI technology mainly for vocalists and quantinization of multiple files for a cohesive sound.
I also work with live vocalists from acrossed the globe that help do what I am terrible at which is singing via file exchanges.
I have also played with completely AI composed songs, something new to me and something fun to play with and not take to seriously. It has it's place on many levels. Love it or hate it is part of the future and to be involved with it seems appropriate given todays fast paced technology. And with electroclash, sleazy electro, minimal wave stuff AI is perfect for the electro cheese factor.
A longtime figure in the underground music scene as an average musician a wellknown dj and former music journalist for Gothic Beauty, New Grave, Legends and Rivotrag Magazines.
Opened for Voltaire, The Cruxshadows, Enemy Of God, Fixmer McCarthy (NItzer Ebb), Seraphim Shock and others in the early days of live shows with Martyr Complex, Doomsday Kult, Complex Machine and Ubermech
Currently involved in many music projects [links to the right] all studio and collaboration projects. At the age of 58 years I consider myself unmarketable in terms of image lol and would not consider going live unless it's my Industrial Or Minimal Wave projects.
Compositions mainly done with motu & reason with hardware, roland, korg, akai, fender, bc rich, shure. Also a gazzillion vst plugins, soft synths and loop libraries incororated with the new use of AI technology mainly for vocalists and quantinization of multiple files for a cohesive sound.
I also work with live vocalists from acrossed the globe that help do what I am terrible at which is singing via file exchanges.
I have also played with completely AI composed songs, something new to me and something fun to play with and not take to seriously. It has it's place on many levels. Love it or hate it is part of the future and to be involved with it seems appropriate given todays fast paced technology. And with electroclash, sleazy electro, minimal wave stuff AI is perfect for the electro cheese factor.